Sesame Street’s Cookie Monster on TV Guide, July 10th, 1971
Illustrator: Jack Davis
26-year-old Elton John’s 7th studio album in 4 years was released on 5 October 1973.
After a failed attempt to record in Jamaica (where the Rolling Stones had just recorded Goats Head Soup), the band relocated to the Château d’Hérouville near Paris (where Honky Château and Don’t Shoot Me I’m Only the Piano Player were recorded). Most of the album’s 17 songs were written and recorded at the Château in just a few weeks.
The album was Elton John’s 2nd of 3 consecutive #1 albums in the US and remains his best-selling studio album. The album contained the #1 single “Bennie and the Jets,” “Goodbye Yellow Brick Road” (which peaked at #2), and “Saturday Night’s Alright for Fighting (which peaked at #12).
Six photos taken by Iain Macmillan for the Abbey Road cover, on the 8th August 1969.
On August 8, 1969, The Beatles arrived at Abbey Road Studios for the crosswalk photo-shoot that would soon take place just outside the building. At approximately 11:30 am on this sunny day, a willing London policeman was asked to hold up and direct traffic on the busy Abbey Road. Iain Macmillan then positioned a step-ladder in the middle of the road, just feet away from the pedestrian crossing, hastily climbed the ladder, quickly steadied himself, and prepared to take the photographs. As The Beatles crossed Abbey Road several times, Iain Macmillan was able to snap six quick shots within a 10-minute timeframe. Once the outdoor session was completed, The Beatles entered Abbey Road Studios to record the finishing touches on the songs “Oh! Darling”, “I Want You”, and ironically, “The End”. […]
In the sequence of Abbey Road photos taken that day in 1969, Paul is first seen walking in sandals in two (2) images, and the rest barefoot. The barefoot image used on the Abbey Road album cover helped launch the notorious “Paul is Dead” conspiracy theory, which quickly became an international phenomenon. For believers of this urban legend, the Abbey Road cover photo represented a funeral procession with John as the minister, Ringo the undertaker, Paul the corpse, and George the gravedigger. On the finalized back cover design, a group of circles “appear” to form the number “3” just before the added word “Beatles”, thereby creating an additional “clue” confirming the existence of only “3 Beatles” for the theorists. Even now, pop culture continues to make occasional references to this legend.
The image from this brief photo-shoot used on The Beatles album cover has become so iconic that people take the pilgrimage to Abbey Road to stand on the zebra-striped pedestrian crossing and reenact it. There is even a 24-hour webcam of the crossing itself. To this day, artists worldwide continue to imitate the Abbey Road crosswalk photo, including Sir Paul McCartney himself! In 1993, McCartney had his photo and sheepdog digitally inserted into the famous Abbey Road photograph for a live album, titling it “Paul Is Live”, poking fun at the age-old “Paul is Dead” rumor created by the Abbey Road LP cover itself.
Over the years, Iain Macmillen personally issued only a handful of hand-signed and numbered limited edition prints of his images taken that day at Abbey Road with The Beatles, before his untimely death in 2006. These unused alternative images from the Abbey Road cover shoot are extremely rare.
Sometime in the late 1980’s/early 1990’s, Iain Macmillan issued only five sets of the Abbey Road Alternate Photos like the ones offered here. Included in this particular numbered set created by Iain Macmillan are five alternate Abbey Road Beatles crossing photos, plus the Abbey Road street sign photo. The inclusion of the Abbey Road street sign photo was the first time the public had seen this album cover photo in its unaltered form. This included original image is missing the word “Beatles”, the Apple Records logo and all of the song titles that exist on all commercially released Abbey Road album back covers.
To our knowledge this is the lowest numbered set ever to be offered at auction from an edition of only 5 making this the rarest set of Beatles Abbey Road Alternative Photos to ever come up for sale!
[Heritage Auctions, October 2016]
This set of photos are currently up for auction in the US with an estimate of $60,000 – $80,000.
Pics: Iain Macmillan / Hertitage Auctions
Thank you to everyone who helped make the last 5 years super groovy 😃
On this day in music history: November 21, 1980 – “Gaucho”, the seventh album by Steely Dan is released. Produced by Gary Katz, it is recorded at Soundworks, A&R Studios, Sigma Sound Studios, Automated Sound in New York City, Village Recorders in West Los Angeles, CA and Producer’s Workshop in Hollywood, CA from March 1978 – September 1980. Issued as the follow up to the hugely successful “Aja”,
Walter Becker and Donald Fagen
spend over two years and over one million dollars in studio time working on it. Ever the perfectionists, the duo are intent on producing tracks that are as technically perfect as possible, putting significant scrutiny on the drums. To aid in this quest, recording engineer Roger Nichols develops the Wendel II drum machine, used as the basis for many tracks, and in tandem with the live drummers on the album. The pair experience numerous setbacks during the time it takes to record the album. These incidents include the loss of the song “The Second Arrangement” when the multi-track tape is partially erased by a tape operator across all twenty four tracks. Becker is hit by a cab and severely fractures his leg, crossing a busy New York street while walking to the studio. The duos’ notorious perfectionism is carried to a new extreme while recording “Gaucho”, resulting in them cutting and re-cutting songs or discarding them altogether. During the two and half years the recording sessions last, they accumulate over three hundred twenty reels of two-inch tape, which represents only the outtakes. Becker and Fagen also wage a bitter battle with MCA Records over the list pricing of the album which is set at $9.98 against Steely Dan’s wishes. They are forced to capitulate when the label threatens to shelve the album unless they agree to the higher price point. In spite of all the behind the scenes drama, the album is well received upon its release, though it ends up being the last new studio album from Steely Dan for nineteen years. It spins off two singles including “Hey Nineteen” (#10 Pop, #64 R&B), and “Time Out Of Mind” (#22 Pop). The album is remastered and reissued on CD in 2000 with new liner notes written by Becker and Fagen, and is also released as an SACD disc.
It is remastered and reissued as a 180 gram vinyl LP in 2008, as part of UMe’s “Back To Black” series.
“Gaucho” peaks at number nine on the Billboard Top 200, and is certified Platinum in the US by the RIAA.